May 31, 2011 § 2 Comments
Written by Neill Blomkamp and Terri Tatchell
Produced by Peter Jackson
Directed by Neill Blomkamp
Starring Sharlto Copley and Kenneth Nkosi
District 9 is so many different things. The plot is about a race of aliens whose ship stalls above Johannesburg, South Africa and whose inhabitants are shuttled down to earth and placed in an internment camp which is transformed over the next 20 years into a slum. The aliens resemble shrimp, or “prawns”, as the humans derogatorily refer to them.
The story begins when a bureaucratic airhead named Wikus (Sharlto Copley in a wonderfully arrogant, frantic and clueless performance) is given the job of managing the Prawns removal from their current encampment, where they’ve made something of a life for themselves, trading with local Nigerian gangsters for cat food (the prawns’ preferred source of nourishment) on down to the new District 10, which is further removed from humans. The aliens don’t take too kindly to this and some fight back in one way or another, leading to the naive Wikus succumbing to alien biotechnology and being forced to go on the run from his own people, with his family and friends disowning him and Wikus having no choice but to seek refuge with the prawns he so thoroughly discounted before.
There is a subplot about humans wanting to tap into the alien technology, as well as some minor interactions with Nigerian gangsters and some Alien day to day life, but ultimately this is an action movie concerning Wikus and a sympathic “prawn” named Christopher Johnson. Christopher Johnson is named as such because he grew up in District 9 and was, apparently, given a human name. He can be identified by his human red vest, a characteristic not shared by any other prawns. Christopher also has an adorable son who is cute by any standard.
District 9 is attempting to be an ultra-serious sci-fi film, a tongue in cheek commentary on apartheid and racism, a unique, thrilling action movie, a mockumentary (the beginning of the film looks like a real documentary with realistic looking interviews of intellectual types discussing the history of the prawns’ initial appearance on earth and how they’ve settled in as inhabitants of our planet) and a loose adaptation of real life aspects of South Africa, such as protagonist Sharlto Copley’s character’s name surname, van der Merwe, which is a common white South African or Dutch surname. There are also allusions to other real life facts, like the actual District 6 where black Africans were moved during Apartheid and the alien language involving tongue clicks, which is part of the real life African Bantu language. In these respects, the film is very observant and almost brilliant. The problem is that each aspect is skirted as part of a smorgasborg of genre styles and atmospheric changes in the story which turn on dimes.
On top of this, in a bold move that I’m not sure quite works, none of the characters are likable, making it hard to care about anyone. Regardless of how the humans treat the so-called Prawns, the prawns themselves act like animals, despite their advanced technology. They have powerful blaster guns that only work when Prawn DNA touches them and their ships are obviously more powerful since they traveled to earth. And yet the fighting is nearly equal. The prawns also seem resistant to using their own technology to their benefit. This is illogical by any standard and feels like a convenient plot contrivance. The finale is also thrilling in a conventional sense, with some expertly photographed action sequences and nearly seamless CGI work throughout the movie, but much of it rings hollow.
The film can’t decide what genre its in, resulting in the overall feeling of the film coming across as schizophrenic and while certainly cool and different, perhaps not the transcending sci-fi opera it intended itself to be.
May 18, 2011 § Leave a comment
Directed by Jann Turner
Starring Kenneth Nkosi, Rapulana Seiphemo, Zandile Msutwana and Jodie Whittaker
White Wedding doesn’t break any new ground for either a road trip comedy or a romantic comedy, but it hits all the basic notes very efficiently with fun performances from the whole cast, especially lead Kenneth Nkosi, also known for being one of the gang members in Tsotsi. Nkosi is Elvis, a man about to get married who must trek across the country to get to the chapel in time, along with his best friend Tumi (Rapulana Seiphemo, also in Tsotsi).
Elvis and Tumi encounter car trouble and other standard road-trip obstacles (including a soft and unnecessary attempt at social commentary involving some possibly racist barflies who “surprise” us with their kindness), a as well as taking on the burden of picking up a white, female hitch hiker (Jodie Whittaker), who complicates matters as she and Tumi develop an attraction for one another, resulting in a side trip at her insistence, much to the frustration of Elvis.
Meanwhile, Elvis fiancee (Zandile Msutwana) is dealing with her own issues as she awaits his arrival, fending off her mother’s insistance on an old fashioned traditional African wedding while she prefers a more generic, secular, modern wedding of a western variety.
White Wedding is cute fun, breezy and plenty funny. The film may not break any new ground, but it manages to be appealing in any language and for any culture.